Showing posts with label PIX Panorama. Show all posts
Showing posts with label PIX Panorama. Show all posts

Wednesday

Seagulls Arose Too



And finally ... another in my Newcastle series, layering images in camera by running the film through two or three different ones, in this case a Pix Panorama and an Agfa Isoly 100.

I'd love to go back and do a similar project with more time and focus, adding the city's mining history and hip arts vibe to the mix! 

"Seagulls Arose Too" 
Close-Up 1
 
Close-Up 2

Newcastle Deliverance

I'm loving working on my multi-layered shots from Newcastle, NSW! Here's another one ... comprising the Newcastle Baths and Sandgate cemetery.

 "Deliverance"
 Close-Up
 Close-Up

Saturday

Newcastle Wings

Newcastle is my favourite Australian city ... its vibe blends surf and arts cultures with a history of convicts and heavy industry. If I could only visit one part of the city, it would be the one of the two ocean baths, Merewether or Newcastle, both gloriously art deco. These baths, and the beach generally, pervade Newcastle ... the salt air and dazzling light are everywhere, in the graffiti-decorated walls of the east end, the op shops of Mayfield and the cafe strip on Darby St.

My friend Kerry Mountford-Baylor took me to her home town last April, where we spent a week lugging handbags full of plastic cameras all over the city. I experimented with running each film through three cameras in an attempt to capture Newcastle's diverse layers. 

Even though I shot random subjects, it was amazing to see what themes emerged and how objects layered over each other to create patterns and meaning. This is my favourite photograph, which blends angel statues in Sandgate cemetery with graffiti in the east end.

I can't wait to return to Newcastle and continue this experiment!


 "Wings" (click to view a bigger version)
 Detail
Detail

Sunday

The Mill and the Floor

The Harden-Murrumburrah flour mill was built in 1865, a time when crops were sewn by hand and cut with a scythe, and grain threshed on the ground. Back then, its produce was an essential part of the Australian diet, a simple and surely survey-friendly mix of bread, corned meat, split peas and the odd drip of treacle.

Those days, of course, are gone and the mill has been shoved into the modern world of real estate development. It’s currently for sale for $995,000 and is being marketed, among other things, as a potential retirement village or shopping centre.

This shot was taken in-camera with my crazy PIX Panorama. The overlapped images create an unusual montage, unrelated apart from colour. The tiles on the left are the entrance to a shop further up Albury St — they remind me of rusted honeycomb.

Friday

Hot Weather and Marriage Disputes

Our ute doesn’t have air-conditioning and it was hot. But we’d just moved to Yass and I was itching to explore the region, so I hassled Justin into accompanying me on a Saturday outing to Harden, a farming community 62-kilometres north-west of Yass and 342-kilometres west of Sydney.

One very sweaty drive later, tempers were unsurprisingly on edge, so we thought it best to see the sights separately — I fossicked through the Harden-Murrumburah Historical Museum and a vintage shop, while Justin stayed in the car drinking iced coffee and listening to the cricket on the radio.

At first, lunch seemed to make the situation worse. I have the most inconvenient food intolerances, which seem to be unheard of in Harden eateries. In desperation, we headed to the local supermarket, where we agreed on a single gluten and dairy-free item … a barbecued chicken. Well, one skeleton and a box of wet wipes later and we’d discovered the solution to any marital dispute.

In a fresh and perky mood, we wandered past crumbling historic facades in Harden’s centre, before driving through the town’s back streets in search of residential icons. That’s where I found and snuck into this backyard of car wrecks and Suffolk-cross sheep. Fortunately for me, the makers of the gloriously plastic Pix Panorama — described in the owner’s manual as a “pice (sic) of precision machinery” — think it’s a waste of precious film to leave gaps between frames. The result is an extended montage of moving bodies, coloured with an old-world rust from cross-processing Fuji Sensia 100.

PS: you’ll be pleased to know we’re installing air-conditioning in the ute this summer.

Tuesday

Buy Me Gold

Racehorses are a better investment than gold, if you believe the owners and trainers at the Yass Picnic Race Club. While other girls donned plumed hats and one plucky man wore a frilly maid’s outfit for the 106th annual race meeting, I headed to the stables in search of photographic treasure.

All trainers swear their horses will romp into the winner’s circle, I learned, which makes getting betting tips straight from the horse’s mouth, so to speak, somewhat fraught. But someone must inevitably win and in Race 1, the Maiden Plate, it was almost Buy Me Gold, trained by Joe Cleary of Queanbeyan. Above, Buy Me Gold is tacked up with a tiny racing pad and mask, looking like an equine super hero, on the way to a respectable second place. I took this image with a plastic point-n-shoot Pix Panorama.

After a day at the races, I’ve decided the adage about never working with children and animals is only half true. There’s a reason attention-seekers are called “show ponies” — horses simply can’t resist gazing directly into the camera, making them fun and alluring subjects.